Fictitious Dishes Page 6
The Tale of Peter Rabbit, Beatrix Potter, 1902. Peter, a naughty young rabbit, defies his mother by sneaking into Mr. McGregor’s garden, where he eats too many vegetables, winds up with a bad stomachache, and almost gets killed by Mr. McGregor.
The Talented Mr. Ripley, Patricia Highsmith, 1955. A psychological thriller set predominantly in Italy about Tom Ripley, an American who attempts to cover up his murder of an old acquaintance, Dickie Greenleaf, by masquerading alternately as his victim and himself.
To Kill a Mockingbird, Harper Lee, 1960. The story of Scout Finch, a young white girl living in the South during the Great Depression, whose lawyer father takes on a case defending a black man against a rape charge, causing the town to erupt in violent controversy.
To the Lighthouse, Virginia Woolf, 1927. The story of the Ramsay family and their visits to their summer home on the Isle of Skye, this novel uses stream-of-consciousness and changing perspectives as a means to examine time, emotional interiority, and human relationships.
Ulysses, James Joyce, 1922. This epic novel follows Leopold Bloom’s journey on a single ordinary day as events bring him into contact with another truth-seeker, the younger Stephen Dedalus.
Valley of the Dolls, Jacqueline Susann, 1965. A chronicle of the lives of three young women—Anne, Jennifer, and Neely—and their great highs and lows as they avidly pursue fame, fortune, and love in the entertainment industry in New York City and Hollywood.
A Wrinkle in Time, Madeleine L’Engle, 1962. The adventures of teenager Meg Murry, who travels through space and time with her brother Charles Wallace and her friend Calvin O’Keefe in search of her missing scientist father.
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“American Icons: The Great Gatsby.” Studio 360. November 25, 2010.
“American Icons: Moby Dick.” Studio 360. December 30, 2011.
ACKNOWLEDGMENTS
Many wonderful people have helped make this book possible. Special thanks to the writers, without whose words this book would not have been possible.
My thanks to everyone—family, friends, classmates, colleagues, and even strangers—who have not only supported Fictitious Dishes with great enthusiasm and voracious appetites but have also given me countless recommendations for new photos to take and new books to read. Thank you to Rob Giampietro, who encouraged me to begin this project in the first place. Many thanks to my research assistant, Rhiannon Marino, for indulging my love of minutiae, and to Juan Zambrano, for his amazing photo retouching work. Thank you to the dedicated and talented team at HarperCollins: Marta Schooler, Lynne Yeamans, Susan Kosko, Julie Hersh, Stephen Frankel, and particularly my superb editor and friend, Liz Sullivan, for her spirited collaboration and intense commitment to this book from the very beginning.
Thank you and love to my father, for teaching me to read carefully, and to my mother, for teaching me to look closely.
Finally, my gratitude and love to Joe, whose deep belief in this book, and me, is unwavering, and who inspires and encourages me to make better work every day.
ABOUT THE AUTHOR
DINAH FRIED is a designer, writer, and amateur table-setter. She is a graduate of the Rhode Island School of Design, and her work has been widely recognized and featured in The Guardian, the Huffington Post, New York magazine, The New Yorker, Bon Appétit, National Public Radio, Andrew Sullivan’s blog “The Dish,” and Print. Her clients and collaborators include the Rhode Island School of Design, Chronicle Books, Etruscan Press, Persea Books, Oxford University Press, and the School of Visual Arts. She was featured in Graphic Design USA as a “person to watch” in 2012. She lives in San Francisco.
COPYRIGHT
Cover design and photography by Dinah Fried
FICTITIOUS DISHES
An Album of Literature’s Most Memorable Meals
Copyright © 2014 Dinah Fried
FICTITIOUS DISHES. Copyright © 2014 by Dinah Fried. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
First published in 2014 by
Harper Design
An Imprint of HarperCollins Publishers
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Distributed throughout the world by
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ISBN 978-0-06-227983-5
EPub Edition April 2014 ISBN 9780062279842
Library of Congress Control Number: 2013930677
Book design and photography by Dinah Fried
Photo retouching by Juan Zambrano
Typeset in Chronicle Text and Proxima Nova
Illustration Credits
Page 12: Top row, left: William Sharp, from
Heidi by Johanna Spyri. New York: Grosset & Dunlap, Inc., 1945; Top row, center: George Cruikshank, from Oliver Twist by Charles Dickens. London: Bradbury & Evans, 1846. Middle row, left: Sir John Tenniel, from Alice’s Adventures in Wonderland by Lewis Carroll. London: Macmillan and Co, 1865; Middle row, right: Beatrix Potter, from The Tale of Peter Rabbit by Beatrix Potter. London: Frederick Warne & Co., 1902. Bottom row, right: J.J. Grandville, from Travels into Several Remote Nations of the World by Lemuel Gulliver, First a Surgeon and Then a Captain of Several Ships (Gulliver’s Travels) by Jonathan Swift. London: Hayward and Moore, 1840.
First Printing, 2014
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